Selected Press

2023Park, Han-sol “Gems from Swiss patron’s mammoth collection of contemporary Chinese art on show at SongEun”, The Korea Times, March 14th, 2023. 
With a New Prize and National Pavilions, the Gwangju Biennale Doubles Down on Its Bid to Become Asia’s Answer to the Venice Biennale”, Artnet, April 6th, 2023. 
2022Tarocco, Francesca, “Vibrant Beings: Making Buddhist Art Today”, Art in America, December 14th, 2022.
Devi, Reena, “The Singapore Biennale 2022 Signals the city state’s ambitions to become the region’s leading cultural centre more than ever.South China Morning Post, April 14th, 2022.
2021Online screening of “Hear Her Singing.” Art Review, March 1, 2021
Guest, Luise, “Emptiness and Form, Form and Emptiness, Interview with Charwei Tsai”, COBO social (Online)
Swastika, Alia. “Charwei Tsai: Collaboration as Method”, Ocula, March 17, 2021
Peckham Robin, “This Piece of Land, These Bits of Sea“, Mousse Magazine, January 2021
2020“On Writing, Impermanence, and Writing Impermanence” Interview with Robert Morris Levine, Zolo Press, Mexico City/Brussels, 2020.
Listening with Reem Shadid, Radio Alhara, Bethlehem.
Roberts, Alba, “Buddhist Practice Fuels Artistic and Social Action.” Transcontinental Times, August 22, 2020.
2019Zhong, Yuling. “The Displacement of Language into the Realm of Visual Art”, Vol. 18, No. 1, Yishu, January/February 2019. (Cover)
Fang, Wendy, “Review: Charwei Tsai: Bulaubulau at the Centre for Chinese Contemporary Art (CFCCA) in Manchester”, Art Asia Pacific.
2018Charwei Tsai in conversation with Tiffany Leung.Ocula, November 10, 2018.
“Charwei Tsai. Healing Harmonies.” Cotonoha, June 13, 2018. (online)
2017Ardia, C.A. Xuan Mai, “Hear Her Singing: Taiwanese artist Charwei Tsai and the Song of Women Refugees.” Art Radar, June 28, 2017.
Portfolio: Charwei Tsai, Frieze, 19 June, 2017.
2016Chu, Daphne. “Interviews: Charwei Tsai speaks about her current exhibition in Taipei.Art Forum, October 21, 2016
Editor. “20th Biennale of Sydney, Mortuary Station.” The Guardian, January 15, 2016.
Manson, Ted. “Artistic director of the 20th Sydney Biennale on the importance of female artists.” Vogue Living, Australia, March 18, 2016.
Noble, Dimity. “Biennale of Sydney: ‘The future is already here, it’s just not evenly distributed.” Wallpaper, March 23, 2016.
Ure-Smith, Jane. “Sydney Biennale: a journey of discovery.Financial Times, April 3, 2016.
Tsui, Enid. “How revenge was spark for one of Japan’s greatest private art collections.South China Morning Post, May 2, 2016.
2015Binde, Josephine. “Pour les VIP de la Fiac, rien n’est pas trop beau.” Telerama, October 21, 2015.
Cohen, Eva. “Artists of the pacific rim highlighted at Seattle Art Fair.International Examiner, August 1, 2015.
Fairley, Gina. “Ink Remix: contemporary art from mainland China, Taiwan and Hong Kong.” ArtsHub Australia, September 16, 2015.
Forthescue, Elizabeth. “Sydney Biennale takes on race issues with tent embassy.” The Art Newspaper, October 30, 2015.
Musa, Helen. “Ancient ink art marches into the 21st century.Canberra City News. August 11, 2015.
Ardia, C.A. Xuan Mai. “’Ink Remix’:Contemporary ink art from mainland China, Taiwan and Hong Kong – in pictures.” Art Radar, July 12, 2015.
Pryor, Sally. “Ink Remix at CMAG: Chinese traditions remixed in cutting-edge collection.The Sydney Morning Herald, June 26, 2015.
Baily, Stephanie. “Same old, brand new: Art Basel in Hong Kong.OCULA, March 28, 2015.
Sanchez-Kozyreva, Cristina. “Awards Season.” Art Forum, January 27, 2015.
2014Gyalthang, Tsering Tashi and Tsai, Charwei. “I Asked the River Tonight.” ArtReview Asia, Autumn/Winter.
Duponchelle, Valérie. “De la simplicité en toutes choses.Le Figaro, June 16.
Sanchez-Kozyreva, Cristina. “The delicate rhythms of nature. Charwei Tsai at TKG+, Taipei.” Pipeline, November/December.
2013Kataoka, Mami. “A Universal View of the World Built Upon Human Closeness: Does “Little” Mean “Little”?” RealKyoto, August.
Tsai, Sylvia. “Meeting Point.” Art Asia Pacific, August.
Zhang, Jin-man. “Filled with Passion and Intention.” Modern Home, August.
Wei, Ye. “Enchanting Aesthetics of East.” CUP Magazine, August.
“Art: Hong Kong-Meeting Point: Dual Solo Show of Charwei Tsai and Chi-Tsung Wu.” Monocle, August 16.
Zheng, Man-ting. “Emerging Taiwan Artists.” Sing Pao, July 18.
Su, Yuan. “Heart Sutra on Sandelwood.” SingTao Daily, Features, July 16.
Wong, Laddy. “Art Explorers-Sutra Offering and Blue Tone Landscapes.” Flash On, July 11.
Wang, Ju-ke, and Wang, Hui-jun. “Recent Works of Wu Chi-Tsung and Charwei Tsai.” Ta Kung Pao, July 10.
Cheung, Tim. “Meeting Point for Taiwanese Artists Charwei Tsai and Chi-Tsung Wu.” BLOUIN ARTINFO Asia, July 5.
Lee, Geraldine. “The 2012-13 Sovereign Asian Art Prize.” Artitute, May 4.
Hanley, William. “Exhibition Review: The 11th Sharjah Biennial.” Architectural Record, April, 9.
Kolesnikov-Jessop, Sonia, “Espace for Art.” BLOUIN ARTINFO Asia, January/February.
Chow, Vivienne, “Four Hongkongers in Running for Sovereign Asian Art Prize.South China Morning Post. January 31.
Chen, Yi-Hua, “Seeing Lanyu in Singapore: A Dedication to the Sea by Charwei Tsai.” Art Investment, January.
2012Kolesnikov-Jessop, Sonia, “Taiwanese Artist Tsai Charwei Explores Beauty and Dangers of Sea.” BLOUIN ARTINFO Asia, November.
da Costa, Gillian. “Making Room for New Art.” Art India, April.
Godfrey, Tony. “Stopping for a Moment, The Art of Charwei Tsai.” LEAP, February.
Davis, Alice. “Island Inspirations.” Surface Asia, November.
O’Dea, Madeleine. “See Highlights of the Tokyo Art Fair, From Renaissance Pastiche to a Participatory Seashell Memorial.” Artinfo, April 2.
Okamoto, Sayuri. “Ah!Asymptote Journal, January.
Purcell, Chantelle. “Interview with Charwei Tsai on the Nomad Store, London with Isis Gallery and Triple Major.FAD, February.
Sanchez Kozyreva, Cristina. “Natural Response.” Pipeline, February.
Solanki, Veerangana. “Asia 3: Lee Mingwei & Charwei Tsai.” Flash Art, November/December.
Yusof, Helmi. “Fashion, Art Converge.” Business Times, November 23.
2011Casado, Amalia. “La Nature Immortalisée.20 Minutes, France, July 6. (French)
Chaplin, Julia. “Latest Stop on the Art Circuit? Hydra, Greece.The New York Times, August 12.
Cheah Ui-Hoon. “Enshrined in Art.” Business Times, Singapore, April.
Dalal, Sayantan. “Understanding Thoughtforms.” DNA, October 18.
Di Genova, Arianna. “Triennale di Yokohama: Scocca l’Ora Magica.” Alias (Italian), October.
Editor. “Ah! By Charwei Tsai.” Boonscafe, Singapore, April 10.
Editor. “Dust in the Mirror.” Strait Times, Singapore, February 1.
Editor. “How Thought Takes Shape.” Mumbai Mirror, October 19.
Elh, Ferenc. “Charwei Tsai.” Ballon (Hungary), April.
Garcia, Angeles. “Opening, Arte de la Emergencia.El Pais, Spain, February 18.
Pan, Fin. “Power of Young Talents.” Harper’s Bazaar Taiwan, February.
Peckham, Robin. “The Prick of Conscience: Passages in the Literary Mode.” Radian, China, January 31.
Tseng, Rudy. “Yokohama Triennale.” Art Investment. October. (Chinese)
Vora, Dhara. “Let Art Become an Inspiration.” Mumbai Midday, October 27.
Wakeling, Emily. “Yokohama Triennale: Something Borrowed, Something New.” Tokyo Art Beat. November.
Zistl, Sandra. “ARCO Madrid.” Focus, Germany, February 16. (German)
2010Cotter, Holland. “The Perpetual Dialogue.” The New York Times, January 7.
Cree, Laura Murray. “Charwei Tsai’s Art of Liberation.” Art & Australia, Vol. 48, No.1.
Fairley, Gina. “Interpreting the Ephemeral.” Asian Art News, Janurary/February.
Fraser, Margie. “Slow Dissolve.” Habitus Australia, Issue 07, December.
Godfrey, Tony. “6th Asia Pacific Triennial of Contemporary Art.” LEAP, January 2010.
Lin, Yawei. “Charwei Tsai & Heart Sutra.” Art Investment, Taiwan, No. 7, January 2010, Cover. (Chinese)
2009Allen, Christopher. “Asia-Pacific Triennial of Contemporary Art Queensland Art Gallery and Gallery of Modern Art to April 5, 2010.” The Australian, December 19.
Editor. “Fish Project.” Art in Asia.
Fraser, Margie. “Art Asia.” Vogue Living Australia, November/December.
Fulton, Adam. “The Fleeting Beauty of Art that is Made to Perish.The Sydney Morning Herald, October 16.
Lam, Bourree. “Review: Transience at Osage Soho.” Time Out Hong Kong.
Sayet, Jackie. “For Chef Patissiere Angela Garcia, It’s Sweet Dreams with New Lovely Daze Special Edition book: Rose.” Miami New Times, July 7.
Lerkenfeldt, Lisa. “Water, Earth and Air: A Series of Intimate Installations.” Two Thousand, Australia, October 21.
Sorzano, Liliana Lopez. “La Exploracion de lo Efimero.El Espectador, Colombia, December 10. (Spanish)
Wong, Jill. “Charwei Tsai: The Art of Change.” C-Arts, Vol. 9, August.
2008Editor. “Almanac 2008”, Art Asia Pacific.
Editor. “Five Top Magazines Worth Getting in Bed With.” Time Out Tel-Aviv. April 10-17.
2007Campagnola, Sonia. “From Singapore to Gwangju.” Flash Art, January – February.
Editor. “Art Events.” Time Out New York, May 18-24.
Editor. “Artists on Spirituality.” Art Asia Pacific. Winter.
Editor. “Almanac 2007.” Art Asia Pacific.
Heartney, Eleanor. “Temples of Art.” Art in America, April.
2006Brener, Julie. “10 Young Artists to Watch.” ARTnews, November. (Cover)
Hill, Joe Martin. “A Tale of Two Biennales: Singapore and Shanghai.” Yishu, Volume 5, No 4, December, 2006.
Lee, Pamela. “2006 Singapore Biennale.” Art Forum, November.
Wang, Zhiguang. “Charwei Tsai: On Biennale.” Phoenix Lifestyle Magazine, China. September.
Yee, Blythe. “Art Attack.” Wall Street Journal Asia, September 1-3. (Cover)
2005Darwent, Charles. “Tofu – Is It the New Paint?” The Independent, UK, July 24
Davies, Serena. “The Shock of the Beautiful.” The Daily Telegraph, UK, August 6.
Editor. “Lovely Daze.” Time Out New York, October 20-26.
Editor. “Young Artists Take the Center Stage at Exhibition in Paris.” The China Post, Taiwan, June 27.