2023 | Soft and Weak Like Water, Gwangju Biennale, Curated by Sook-Kyung Lee, South Korea |
| 20th Anniversary Exhibition: World Classroom: Contemporary Art through School Subjects, Mori Art Museum, Tokyo, Japan |
| SIGG: Chinese Contemporary Art from the Sigg Collection, SongEun Art and Cultural Foundation, Seoul, South Korea |
| In the Present Moment, Curated by Haema Sivanesan, Banff Centre, Alberta, Canada |
| Making New Worlds: Li Yuan-chia and friends, Kettle’s Yard, University of Cambridge, UK |
| Choralite, Curated by Simona Dvorak & Tadeo Kohan, Maison Populaire, Montreuil, France |
| Angoli – International Festival of Art, Curated by Massimo Torrigiani at Spazio Murat, Bari, Italy |
2022 | Listen to the Sound of the Earth Turning, Mori Art Museum, Tokyo, Japan |
| Screening & Performance, Forum Climat: Quelle Culture pour Quel Futur?, Centre Pompidou, Paris, France |
| Charwei Tsai: Between the Atom and the Universe, Film screening & conversation with Valentine Umansky, Tate Lates, Tate Modern, London, UK |
| On Care and Resilience, Lumbung Radio, Documenta 15, Kassel, Germany, Organized by Initiatives for Practices and Visions of Radical Care and Simona Dvorak |
| Refugees Welcome, The Museum of Modern Art, Warsaw, Poland |
| Enfers et fantômes d’Asie, Tainan Art Museum, Taiwan, Co-organized by Quai Branly Museum, Paris, France |
| Buddha 10, Curated by Davide Quadrio, Museo d’Arte Orientale, Torino, Italy |
| Resisting the Present, Mor Charpentier, Bogota, Colombia |
| Kaleidoscope, Curated by Els Wuyts, Rhizome, Kortrijk, Belgium |
| Here After, Bridge Projects, Los Angeles, USA |
| Screening & talk at Musee des Beaux-Arts de Nancy, Co-organized by FRAC Lorraine, France |
| Croisements: les rencontres de Montmartre, Villa Radet, Paris, France Co-organized by Art Explora, Cité internationales des arts, and Académie des beaux-arts |
| Streaming and commission, Numbers, in collaboration with Stephen O’Malley, Returning, Sydney Opera House, Sydney, Australia |
| Screening & conversation, Les Nuits des Forets, Curated by Lauranne Germond, La Folie Barbizon, Fontainebleau, France, Co-organized by COAL Project. |
2021 | Lines Tell Everything about the Universe – Kusama Yayoi, Prabhavathi Meppayil, Charwei Tsai, Mori Art Museum, Tokyo, Japan |
| Welcome Stranger, To This Place, The University Art Museum, Tokyo University of the Arts, Tokyo, Japan, Supervised by Yuko Hasegawa, Organized by the Department of Arts Studies and Curatorial Practices, Graduate School of Global Arts |
| Welcome Stranger, To This Place, The University Art Museum, Tokyo University of the Arts, Tokyo, Japan, Supervised by Yuko Hasegawa, Organized by the Department of Arts Studies and Curatorial Practices, Graduate School of Global Arts |
| And Mistake These Walls for Skin, Budapest Gallery, Hungary |
| Ritual The Past in the Present, Cairns Art Gallery, Australia |
| Screening, What is the Water Saying? Organized by Wattis Institute of Contemporary Art, CCA, San Francisco, USA |
| Screening, Waves of the New World Shorts, Film Programme at De Cinema, in collaboration with Electric Shadows and MHKA Museum, Antwerp, Belgium |
2020 | RITUEL·LE·S, Institut d’art contemporain – Villeurbanne/Rhône-Alpes (IAC), France |
| Green Island Human Rights Art Festival, curated by Sandy Lo, Green Island, Taiwan |
| Segregation & Dialogue, curated by Dr. Chen Bo Wen, Assembly of Communities: MIX, Museum of Contemporary Art (MoCA), Taipei, Taiwan |
| Mindfulness, curated by Glint, PikNic, Seoul, South Korea |
| Daisuke Miyatsu: 25 Years of Video Art, A Point of Transit Signals from East and South East Asia, Alien Art Center, Kaohsiung, Taiwan |
| Ovoo, performance by Ganzug Sedbazar and Davaajragal Tsaschikher, produced by Lovely Daze/Charwei Tsai at C-Lab, Taipei, Taiwan |
| Lanyu: Three Stories, Introduced by Aephie Huimi on www.vdrome.org |
2019 | Biennale Jogja XV, Indonesia |
| Water, Queensland Art Gallery | Gallery of Modern Art, Brisbane, Australia |
| Migration, 4th Ulaanbaatar International Media Art Festival, Mongolia |
| Power of Intention: Reinventing the Praying Wheel, Rubin Museum of Art, New York, USA |
| Screening of Songs We Carry, part of Diaspora: Exit, Exile, Exodus in Southeast Asia, MAIIAM Contemporary Art Museum, Chiangmai, Thailand |
2018 | Minimalism: Space, Light, Object, Art Science Museum in collaboration with National Gallery Singapore, Marina Bay Sands, Singapore |
| 2050, A Brief History of the Future, curated by Pierre-Yves Desaive, National Taiwan Museum of Fine Arts, Taichung, Taiwan, In collaboration with Royal Museums of Fine Arts of Belgium |
| Tree Mantra by Charwei Tsai, Performance at Royal Festival Hall, Southbank Centre, London, UK |
| Shrine Room Projects: Wishes and Offerings, Rubin Museum of Art, New York, USA |
| Other Walks, Other Lines, San Jose Museum of Art, USA |
| Love Long: Robert Indiana and Asia, curated by Dr. Miwako Tezuka and assisted by Kaitlin Chan, Asia Society Hong Kong Center, Hong Kong, China |
| Still Water Runs Deep, curated by Dr. Yulin Lee, Kaohsiung Museum of Fine Art, Taiwan |
| Draw Me a Flag, Fondation Cartier pour l’art contemporain, A Beautiful Elsewhere, Power Station of Art, Shanghai, China |
| Screening of Dunhuang Projected (traveling), China Onscreen Biennale (COB), Fowler Museum, UCLA, Los Angeles, USA |
| Under the Influence: Traveling Library of Books That Inspire Artists, Traveling exhibition from Asia Art Archive, Hong Kong, Live Forever Art Foundation, National Taichung Theatre, Taiwan |
| Screening at EXit/EXile/EXodus, curated by Loredana Paracciani, MAIIAM Contemporary Art Museum, Chiang Mai, Thailand |
2017 | Kailash Cartographies, The New School, New York, USA |
| Land and People: New Media Works from Asia – Pacific, Cairns Art Gallery, Australia |
| Screening of Hear Hear Singing, Organized by Eduard Malingue Gallery, Crown Buildings, Liverpool, UK |
| Under Influence, Asia Art Archive, Art Basel, Hong Kong |
2016 | Biennale of Sydney, Mortuary Station, curated by Stephanie Rosenthal |
| Chinese Whispers – Recent Art from Sigg & M+ Sigg Collections, Kunstmuseum & Zentrum Paul Klee, Bern, Switzerland |
| Towards a Cosmomorphic World, Contemporary Art Institute, Villeurbanne / Rhône-Alpes, France |
| Yokohama Museum of Art Collection, Yokohama Museum of Art, Yokohama, Japan |
| Rêve obscur : au pays des étoiles terrestres, La Grande Place, Musée du Cristal Saint Louis, Saint-Louis-les-Bitche, France. In collaboration with FRAC Lorraine and la Fondation d’entreprise Hermès. |
| Sharjah Calligraphy Biennial, Sharjah, United Arab Emirates |
| Ink Remix: Contemporary art from mainland China, Taiwan, and Hong Kong, University of New South Wales Galleries, Sydney, Australia |
| The Editorial, curated by Kit Hammonds and Ingrid Chu in partnership with the Asia Art Archive and Vernacular Institute, Taipei Fine Arts Museum, Taipei, Taiwan |
2015 | Simple Forms: Contemplating Beauty, curated by Jean de Loisy and Fumio Nanjo, Mori Art Museum, Tokyo, Japan. Traveling exhibition from Centre Pompidou-Metz and Fondation d’entreprise Hermès |
| TYPOMOTION: Type as Image in Motion, National Taiwan Museum of Fine Art, Taichung, Taiwan. Produced by ZKM Center of Art and Media, Karlsruhe, Germany |
| Go East: Gene and Brian Sherman Contemporary Asian Art Collection, Gallery of New South Wales, Sydney, Australia |
| Visible/Invisible: The Spiritual World of Taiwan Through Contemporary Art, UBC Museum of Anthropology, Vancouver, Canada |
| INK REMIX: Contemporary art from mainland China, Taiwan and Hong Kong, curated by Dr. Sophie Mclntyre, Bendigo Art Gallery, Victoria, Australia |
| Im Dickicht der Haare, Grimmwelt, Kassel, Germany |
| INK REMIX: Contemporary art from mainland China, Taiwan and Hong Kong, curated by Dr. Sophie Mclntyre, Canberra Museum and Gallery, Canberra City, Australia |
| Forever Young, Asia University Museum, Taichung, Taiwan |
| (DÉ)PLACEMENTS, curated by Koyo Kouoh, La Défense, Paris, France |
| Transcending Tibet, curated by Davide Quadrio, Trace Foundation, New York, USA |
| Inspired by Buddhism, Nan Tien Institute Art Gallery, Unanderra (Wollongong), Australia |
| Thinking Current, curated by Leeza Ahmady, a major exhibition as part of the Asia Contemporary Art Week (ACAW) Platform, Seattle Art Fair, Seattle, USA |
| Insights, Art Basel, Hong Kong |
2014 | Simple Shapes, curated by Jean de Loisy, Centre Pompidou-Metz, France |
| Still Moving: A Triple Bill on the Image, Singapore Art Museum, Singapore |
| There, Where My Language Ends, I Come by Everyday, Kulturzentrum bei den Mioriten, Graz, Austria |
| FIAC, Jardin des Plantes, National Museum of Natural History, Paris, France |
| Opening Exhibition, Cai Guo-Qiang Studio, New York, USA |
2013 | Sharjah Biennial, curated by Yoko Hasegawa, Sharjah, United Arab Emirates |
| Cross-Strait Relations, curated by Arthur Ou, Parsons The New School for Design, New York, USA |
| Dojima River Biennale, curated by Rudy Tseng, Osaka, Japan |
| Parkett – 220 Artists’ Editions & Collaborations +5, Taipei Fine Arts Museum, Taipei, Taiwan |
| Market Forces: The Friction of Opposites, curated by Joselina Cruz, Ark Fongsmut, Lee Daehyung, Qiu Zhijie and Alia Swastika, Osage Foundation, Hong Kong, China |
| Installation Contemporary, curated by Aaron Seeto, Edouard Malingue Gallery, Sydney Contemporary, Sydney, Australia |
| Sovereign Asian Art Prize Finalists, The Rotunda, Exchange Square, Hong Kong, China and Espace Culturel Louis Vuitton, Singapore |
| Palimpsestes, Galerie Mor Charpentier, Paris, France |
2012 | Millenium Magazines, The Museum of Modern Art (MoMA), New York, USA |
| Phantoms of Asia: Contemporary Awakens the Past, curated by Mami Kataoka and Allison Harding, Asian Art Museum of San Francisco, USA |
| Boundaries on the Move: Taiwan-Israel, a Cross-Culture Dialogue, Herzliya Museum of Contemporary Art, Herzliya, Israel |
| Trading Futures, curated by Meiya Cheng and Pauline Yao, Taipei Contemporary Art Center (TCAC), Taipei, Taiwan |
| Eattopia – 2nd Taiwan International Video Art Exhibition, Kaohsiung Museum of Fine Arts, Kaohsiung, Taiwan (Traveling) |
| Nomad Store – An Exploration of An Exploration of Young Chinese Creativity – Art, Fashion, Publishing, Presented by Triple Major, Beijing, and ISIS Gallery, London, London Newcastle Project Space, London, UK |
| Discreet Charm of The Bourgeoisie: Contemporary Visions on China, curated by Davide Quadrio, Rudy Tseng and Jenny Lee, Yi & C. Contemporary Art, Taipei, Taiwan |
| Now Ink, curated by Art Hub Asia (Dafne Ayas, Qiu Zhijie, and Davide Quadrio), SH Contemporary, TKG+, Shanghai, China |
2011 | Yokohama Triennale, Yokohama, Japan |
| Ruhrtriennale, Jahrhunderthalle Bochum, Germany |
| Buddha’s Trace, Kunstmuseum Bochum, Germany |
| Eattopia – 2nd Taiwan International Video Art Exhibition, Taitung Art Museum, Taiwan (Traveling) |
| Physical Video, Gallery of Modern Art, Brisbane, Australia |
| Dust on the Mirror, curated by Tony Godfrey, Institute of Contemporary Art, LASALLE, Singapore |
| Paradise, Under Re-construction, Video screening, ISCP, New York, USA |
| Myth<->Reality Constructing Cult-u’re, curated by Veerangana Solanki, The Guild, Mumbai, India |
| Silent Significance, LMD Gallery, Paris, France |
2010 | Reshaping History: Chinese Art from 2000-2009, Today Art Museum, Beijing, China |
| Forum Biennial, curated by Manray Hsu, Taipei Contemporary Art Center, Taipei, Taiwan |
| The Seven Day Weekend, Museum of L’École Nationale Supérieure des Beaux-Arts, Paris, France |
| Etopia, 2nd Taiwan International Video Art Exhibition, Hong-Gah Museum, Taipei, Taiwan |
| Taiwan Calling, Ludwig Museum, Museum of Contemporary Art, Budapest, Hungary |
| Dust on the Mirror, curated by Tony Godfrey, University of Nottingham, UK |
| On Publications, Portraits, Public Art & Performance, The Modern Institute, Glasgow, UK. |
| MAGAZIN, Kunstverein Harburger Bahnhof, Hamburg, Germany |
| Tentative Expansion of a Parisian Place (5 Drawing Exercises), curated by Natalia Valencia, Galerie Mor-Charpentier, Paris, France |
| Mantras, Moqueries, Monstres et Mutations, curated by David Rosenberg, Galerie Martine et Thibault de la Châtre, Paris, France |
| The Tradition of the New, Sakshi Gallery, Mumbai, India |
2009 | 6th Asia-Pacific Triennial, Queensland Art Gallery, Brisbane, Australia |
| Beautifully Banal, Smack Mellon, New York, USA |
| Taiwan.Doc, Museum of L’École Nationale Supérieure des Beaux-Arts, Paris, France |
| THE LA LA, LASALLE College of the Arts, Singapore |
| Circle, Fondation Cartier pour l’art contemporain, Paris, France (Online) |
| Perpetual Dialogue, Andrea Rosen Gallery, New York, USA |
2008 | Traces of the Sacred, curated by Jean de Loisy, Pompidou Center, Paris, France |
| Nature Fragile, Museum of Hunting and Nature, Paris, France |
| Space by Federico Herrero, San Jose, Costa Rica |
| Hydra School Project, CIGE Art Fair, Beijing, China |
2007 | Thermocline of Art: New Asian Waves, curated by Peter Weibel and Wonil Rhee, ZKM Center for Art and Media, Karlsruhe, Germany |
| How Far Would You Go For Love?, Cartier (Online Project) |
| Étrangère, Transversal, Restaurant du Musée d’art Contemporain du Val-de-Marne, Paris, France |
| Animamix Biennale, curated by Victoria Lu, Shanghai MoCA, Shanghai, China |
| 21 Cities at Once Performed, Conflux Festival, New York, USA |
| Frolic: Humor and Mischief in New Taiwanese Art, 2X13 Gallery, New York, USA |
2006 | Belief: First Singapore Biennale, Singapore |
| Summer Hot, Taipei Economic and Cultural Center, New York, USA |
| PostER, curated by Dimitrios Antonitsis, Hydra Old High School, Hydra Island, Greece |
2005 | J’en Rêve, Fondation Cartier pour l’art contemporain, Paris, France |