| 2023 | Park, Han-sol “Gems from Swiss patron’s mammoth collection of contemporary Chinese art on show at SongEun”, The Korea Times, March 14th, 2023. |
| “With a New Prize and National Pavilions, the Gwangju Biennale Doubles Down on Its Bid to Become Asia’s Answer to the Venice Biennale”, Artnet, April 6th, 2023. |
| 2022 | Tarocco, Francesca, “Vibrant Beings: Making Buddhist Art Today”, Art in America, December 14th, 2022. |
| Devi, Reena, “The Singapore Biennale 2022 Signals the city state’s ambitions to become the region’s leading cultural centre more than ever.” South China Morning Post, April 14th, 2022. |
| 2021 | Online screening of “Hear Her Singing.” Art Review, March 1, 2021 |
| Guest, Luise, “Emptiness and Form, Form and Emptiness, Interview with Charwei Tsai”, COBO social (Online) |
| Swastika, Alia. “Charwei Tsai: Collaboration as Method”, Ocula, March 17, 2021 |
| Peckham Robin, “This Piece of Land, These Bits of Sea“, Mousse Magazine, January 2021 |
| 2020 | “On Writing, Impermanence, and Writing Impermanence” Interview with Robert Morris Levine, Zolo Press, Mexico City/Brussels, 2020. |
| Listening with Reem Shadid, Radio Alhara, Bethlehem. |
| Roberts, Alba, “Buddhist Practice Fuels Artistic and Social Action.” Transcontinental Times, August 22, 2020. |
| 2019 | Zhong, Yuling. “The Displacement of Language into the Realm of Visual Art”, Vol. 18, No. 1, Yishu, January/February 2019. (Cover) |
| Fang, Wendy, “Review: Charwei Tsai: Bulaubulau at the Centre for Chinese Contemporary Art (CFCCA) in Manchester”, Art Asia Pacific. |
| 2018 | “Charwei Tsai in conversation with Tiffany Leung.” Ocula, November 10, 2018. |
| “Charwei Tsai. Healing Harmonies.” Cotonoha, June 13, 2018. (online) |
| 2017 | Ardia, C.A. Xuan Mai, “Hear Her Singing: Taiwanese artist Charwei Tsai and the Song of Women Refugees.” Art Radar, June 28, 2017. |
| Portfolio: Charwei Tsai, Frieze, 19 June, 2017. |
| 2016 | Chu, Daphne. “Interviews: Charwei Tsai speaks about her current exhibition in Taipei.” Art Forum, October 21, 2016 |
| Editor. “20th Biennale of Sydney, Mortuary Station.” The Guardian, January 15, 2016. |
| Manson, Ted. “Artistic director of the 20th Sydney Biennale on the importance of female artists.” Vogue Living, Australia, March 18, 2016. |
| Noble, Dimity. “Biennale of Sydney: ‘The future is already here, it’s just not evenly distributed.” Wallpaper, March 23, 2016. |
| Ure-Smith, Jane. “Sydney Biennale: a journey of discovery.” Financial Times, April 3, 2016. |
| Tsui, Enid. “How revenge was spark for one of Japan’s greatest private art collections.” South China Morning Post, May 2, 2016. |
| 2015 | Binde, Josephine. “Pour les VIP de la Fiac, rien n’est pas trop beau.” Telerama, October 21, 2015. |
| Cohen, Eva. “Artists of the pacific rim highlighted at Seattle Art Fair.” International Examiner, August 1, 2015. |
| Fairley, Gina. “Ink Remix: contemporary art from mainland China, Taiwan and Hong Kong.” ArtsHub Australia, September 16, 2015. |
| Forthescue, Elizabeth. “Sydney Biennale takes on race issues with tent embassy.” The Art Newspaper, October 30, 2015. |
| Musa, Helen. “Ancient ink art marches into the 21st century.” Canberra City News. August 11, 2015. |
| Ardia, C.A. Xuan Mai. “’Ink Remix’:Contemporary ink art from mainland China, Taiwan and Hong Kong – in pictures.” Art Radar, July 12, 2015. |
| Pryor, Sally. “Ink Remix at CMAG: Chinese traditions remixed in cutting-edge collection.” The Sydney Morning Herald, June 26, 2015. |
| Baily, Stephanie. “Same old, brand new: Art Basel in Hong Kong.” OCULA, March 28, 2015. |
| Sanchez-Kozyreva, Cristina. “Awards Season.” Art Forum, January 27, 2015. |
| 2014 | Gyalthang, Tsering Tashi and Tsai, Charwei. “I Asked the River Tonight.” ArtReview Asia, Autumn/Winter. |
| Duponchelle, Valérie. “De la simplicité en toutes choses.” Le Figaro, June 16. |
| Sanchez-Kozyreva, Cristina. “The delicate rhythms of nature. Charwei Tsai at TKG+, Taipei.” Pipeline, November/December. |
| 2013 | Kataoka, Mami. “A Universal View of the World Built Upon Human Closeness: Does “Little” Mean “Little”?” RealKyoto, August. |
| Tsai, Sylvia. “Meeting Point.” Art Asia Pacific, August. |
| Zhang, Jin-man. “Filled with Passion and Intention.” Modern Home, August. |
| Wei, Ye. “Enchanting Aesthetics of East.” CUP Magazine, August. |
| “Art: Hong Kong-Meeting Point: Dual Solo Show of Charwei Tsai and Chi-Tsung Wu.” Monocle, August 16. |
| Zheng, Man-ting. “Emerging Taiwan Artists.” Sing Pao, July 18. |
| Su, Yuan. “Heart Sutra on Sandelwood.” SingTao Daily, Features, July 16. |
| Wong, Laddy. “Art Explorers-Sutra Offering and Blue Tone Landscapes.” Flash On, July 11. |
| Wang, Ju-ke, and Wang, Hui-jun. “Recent Works of Wu Chi-Tsung and Charwei Tsai.” Ta Kung Pao, July 10. |
| Cheung, Tim. “Meeting Point for Taiwanese Artists Charwei Tsai and Chi-Tsung Wu.” BLOUIN ARTINFO Asia, July 5. |
| Lee, Geraldine. “The 2012-13 Sovereign Asian Art Prize.” Artitute, May 4. |
| Hanley, William. “Exhibition Review: The 11th Sharjah Biennial.” Architectural Record, April, 9. |
| Kolesnikov-Jessop, Sonia, “Espace for Art.” BLOUIN ARTINFO Asia, January/February. |
| Chow, Vivienne, “Four Hongkongers in Running for Sovereign Asian Art Prize.” South China Morning Post. January 31. |
| Chen, Yi-Hua, “Seeing Lanyu in Singapore: A Dedication to the Sea by Charwei Tsai.” Art Investment, January. |
| 2012 | Kolesnikov-Jessop, Sonia, “Taiwanese Artist Tsai Charwei Explores Beauty and Dangers of Sea.” BLOUIN ARTINFO Asia, November. |
| da Costa, Gillian. “Making Room for New Art.” Art India, April. |
| Godfrey, Tony. “Stopping for a Moment, The Art of Charwei Tsai.” LEAP, February. |
| Davis, Alice. “Island Inspirations.” Surface Asia, November. |
| O’Dea, Madeleine. “See Highlights of the Tokyo Art Fair, From Renaissance Pastiche to a Participatory Seashell Memorial.” Artinfo, April 2. |
| Okamoto, Sayuri. “Ah!” Asymptote Journal, January. |
| Purcell, Chantelle. “Interview with Charwei Tsai on the Nomad Store, London with Isis Gallery and Triple Major.” FAD, February. |
| Sanchez Kozyreva, Cristina. “Natural Response.” Pipeline, February. |
| Solanki, Veerangana. “Asia 3: Lee Mingwei & Charwei Tsai.” Flash Art, November/December. |
| Yusof, Helmi. “Fashion, Art Converge.” Business Times, November 23. |
| 2011 | Casado, Amalia. “La Nature Immortalisée.” 20 Minutes, France, July 6. (French) |
| Chaplin, Julia. “Latest Stop on the Art Circuit? Hydra, Greece.” The New York Times, August 12. |
| Cheah Ui-Hoon. “Enshrined in Art.” Business Times, Singapore, April. |
| Dalal, Sayantan. “Understanding Thoughtforms.” DNA, October 18. |
| Di Genova, Arianna. “Triennale di Yokohama: Scocca l’Ora Magica.” Alias (Italian), October. |
| Editor. “Ah! By Charwei Tsai.” Boonscafe, Singapore, April 10. |
| Editor. “Dust in the Mirror.” Strait Times, Singapore, February 1. |
| Editor. “How Thought Takes Shape.” Mumbai Mirror, October 19. |
| Elh, Ferenc. “Charwei Tsai.” Ballon (Hungary), April. |
| Garcia, Angeles. “Opening, Arte de la Emergencia.” El Pais, Spain, February 18. |
| Pan, Fin. “Power of Young Talents.” Harper’s Bazaar Taiwan, February. |
| Peckham, Robin. “The Prick of Conscience: Passages in the Literary Mode.” Radian, China, January 31. |
| Tseng, Rudy. “Yokohama Triennale.” Art Investment. October. (Chinese) |
| Vora, Dhara. “Let Art Become an Inspiration.” Mumbai Midday, October 27. |
| Wakeling, Emily. “Yokohama Triennale: Something Borrowed, Something New.” Tokyo Art Beat. November. |
| Zistl, Sandra. “ARCO Madrid.” Focus, Germany, February 16. (German) |
| 2010 | Cotter, Holland. “The Perpetual Dialogue.” The New York Times, January 7. |
| Cree, Laura Murray. “Charwei Tsai’s Art of Liberation.” Art & Australia, Vol. 48, No.1. |
| Fairley, Gina. “Interpreting the Ephemeral.” Asian Art News, Janurary/February. |
| Fraser, Margie. “Slow Dissolve.” Habitus Australia, Issue 07, December. |
| Godfrey, Tony. “6th Asia Pacific Triennial of Contemporary Art.” LEAP, January 2010. |
| Lin, Yawei. “Charwei Tsai & Heart Sutra.” Art Investment, Taiwan, No. 7, January 2010, Cover. (Chinese) |
| 2009 | Allen, Christopher. “Asia-Pacific Triennial of Contemporary Art Queensland Art Gallery and Gallery of Modern Art to April 5, 2010.” The Australian, December 19. |
| Editor. “Fish Project.” Art in Asia. |
| Fraser, Margie. “Art Asia.” Vogue Living Australia, November/December. |
| Fulton, Adam. “The Fleeting Beauty of Art that is Made to Perish.” The Sydney Morning Herald, October 16. |
| Lam, Bourree. “Review: Transience at Osage Soho.” Time Out Hong Kong. |
| Sayet, Jackie. “For Chef Patissiere Angela Garcia, It’s Sweet Dreams with New Lovely Daze Special Edition book: Rose.” Miami New Times, July 7. |
| Lerkenfeldt, Lisa. “Water, Earth and Air: A Series of Intimate Installations.” Two Thousand, Australia, October 21. |
| Sorzano, Liliana Lopez. “La Exploracion de lo Efimero.” El Espectador, Colombia, December 10. (Spanish) |
| Wong, Jill. “Charwei Tsai: The Art of Change.” C-Arts, Vol. 9, August. |
| 2008 | Editor. “Almanac 2008”, Art Asia Pacific. |
| Editor. “Five Top Magazines Worth Getting in Bed With.” Time Out Tel-Aviv. April 10-17. |
| 2007 | Campagnola, Sonia. “From Singapore to Gwangju.” Flash Art, January – February. |
| Editor. “Art Events.” Time Out New York, May 18-24. |
| Editor. “Artists on Spirituality.” Art Asia Pacific. Winter. |
| Editor. “Almanac 2007.” Art Asia Pacific. |
| Heartney, Eleanor. “Temples of Art.” Art in America, April. |
| 2006 | Brener, Julie. “10 Young Artists to Watch.” ARTnews, November. (Cover) |
| Hill, Joe Martin. “A Tale of Two Biennales: Singapore and Shanghai.” Yishu, Volume 5, No 4, December, 2006. |
| Lee, Pamela. “2006 Singapore Biennale.” Art Forum, November. |
| Wang, Zhiguang. “Charwei Tsai: On Biennale.” Phoenix Lifestyle Magazine, China. September. |
| Yee, Blythe. “Art Attack.” Wall Street Journal Asia, September 1-3. (Cover) |
| 2005 | Darwent, Charles. “Tofu – Is It the New Paint?” The Independent, UK, July 24 |
| Davies, Serena. “The Shock of the Beautiful.” The Daily Telegraph, UK, August 6. |
| Editor. “Lovely Daze.” Time Out New York, October 20-26. |
| Editor. “Young Artists Take the Center Stage at Exhibition in Paris.” The China Post, Taiwan, June 27. |